Soundtrack Session for 20th Century Fox: Love Me Tender, August 24, 1956

Studio :

20th Century Fox, Stage 1, Hollywood, California

Producer :

Lionel Newman

Engineers :

Bob Mayer / Ken Runyon / Murray Spivak

We’re Gonna Move

S01-S09

August 24

Take 01

Complete

S01

UN

Take 02

Incomplete

S02

UN

Take 03

Incomplete

S03

UN

Take 04

Complete

2:32

S04. Used for spliced master (2:20-2:26).

50's Box 5°

Take 05

S05

Take 06

Incomplete

S06

UN

Take 07

Incomplete

S07

UN

Take 08

Incomplete

S08

UN

Take 09

Complete

2:39

S09. Used for spliced master (0:00-2:20, 2:26-2:31).

Jailhouse Rock°°

Spliced

(M)

2:31

Spliced from takes 9 and 4. Further overdubs: 

Backup vocals and handclaps overdubbed.

Poor Boy

S10-S12(or -S14?)

August 24

Take 01

Complete

:

S10

UN

Take 02

Complete

:

S11

UN

Take 03

(M)

1:41

S12. Used for composite master

Jailhouse Rock°°

S13? Guessing abandoned part of Poor Boy.
S14? Guessing abandoned part of Poor Boy.

Love Me Tender

S15-S16

August 24

Take 01

Complete

:

S15

UN

Take 02

(M)

2:43

S16 Stereo Master

24 K Hits°°/Can't Help Falling in Love 2003°°/Jailhouse Rock 97°°

Take 02

M

2:42

S16 Mono Master

G2WB 4767

Heart & Soul 2003°/Jailhouse Rock 97°/50's Box 2°

We’re Gonna Move (backup vocals overdub)

S17-S18

August 24

Take 01

Complete?

:

S17. Additional backup vocal overdubs of master

UN

Take 02

(M)

:

S18. Hand claps overdubbed after backup v.o.

UN

We’re Gonna Move (hand claps overdub)

S19

August 24

Take 01

M

2:31

S19. Hand claps after additional backup v.o. 

G2WB 7260

Jailhouse Rock 97°/50's Box 2

Poor Boy (part?)

S20

August 24

Take 01

FS

:

S20. Guessing abandoned part and song

UN

Musicians:

Guitar :

Vito Mumolo

Bass :

Michael “Myer“ Rubin

Drums :

Richard Cornell

Banjo :

Luther Roundtree

Accordion :

Dom Frontieri

Backup Vocals :

The Ken Darby Trio: Rad Robinson, Jon Dodson and Charles Prescott


Notes:

The master of We're Gonna Move was spliced from take 9 (0:00-2:18) and take 4 (2:18-2:24). It's hard to identify the final chords (2:24-2:30) as being from any of takes 4 or 9. The spliced master runs almost 1.2% slower than take 9.

Everything from the 'Love Me Tender' soundtrack needs to be released with upgraded sound due to poor mastering. It's amazing that so many complaints can be found about the swapped stereo/mono versions of the title song on the 2003 reissues of Heart & Soul/Can't Help Falling in Love CD's when the true reason for complaint is that both of them are labelled "SONY DSD MASTERS" and it's obvious that neither is. Both 2003 releases of Love Me Tender are derived from the bad 1990's masters and still sound as bad as they ever did. The 24 Karat Hits version is basically the same, but with a simple bass boost (below 90 Hz) and high-end reduction (above 2 kHz and upwards) to sweeten the hiss.

Thanks to Henk Muller for provding some detailed session information, also thought to have been published in some magazines.