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Soundtrack Session for M.G.M.: Jailhouse Rock, April 30, 1957 |
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Studio : |
Radio Recorders, West Hollywood, California |
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Producer : |
Jeffrey Alexander |
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Engineer : |
Thorne Nogar |
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2001 |
April 30 (Tue.): 10:00 - 13:45 |
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Take 01 |
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Take 02 |
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Take 03 |
FS |
:0:17 |
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Elvis By the Presleys°° |
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Take 04 |
BD |
2:12 |
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Elvis By the Presleys°° |
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Take 05 |
PB |
2:26 |
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Elvis By the Presleys°°/Silver Scr. Stereo°°/Essential 1+"SSS" |
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Take 06 |
(M) |
2:44 |
"Up to instr." Original MGM time note: "0:55", |
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actually 1:15. Used for composite master |
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2002 |
April 30 (Tue.): 10:00 - 13:45 |
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Take 01 |
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Take 02 |
(M) |
1:28 |
"1:25" Used for composite master |
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(Close Up 1°°, last 1:28 of spliced master) |
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April 30 (Tue.): 10:00 - 13:45 |
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Spliced |
M |
3:21 |
(2:29) Composite of 2001-06 (0:00-1:15) |
H2WB 6779 |
Close Up 1°°(incl. dialogue,w/o fade-out)/24 K Hits(master with fade-out) |
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and 2002-02 (1:15-2:41, faded at 2:29) |
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50's Box/Jailhouse Rock '97/Jailhouse Rock Sessions LP |
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Overdub |
M |
2:39 |
Overdub of record version. Further overdubs were |
H2WB 6780 |
Jailhouse Rock '97/Essential 1 |
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done for the final movie version. |
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2003 |
April 30 (Tue.): 10:00 - 13:45 |
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Take 01 |
FS+Reh |
0:52 |
"no prints" |
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Flashback°° |
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Take 02 |
FS |
0:20 |
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Flashback°° |
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Take 03 |
PB |
2:21 |
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Flashback°° |
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Take 04 |
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Take 05 |
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Take 06 |
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Take 07 |
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Take 08 |
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Take 09 |
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Take 10 |
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Take 11 |
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Take 12 |
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Take 13 |
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Take 14 |
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Take 15 |
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Take 16 |
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Take 17 |
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Take 18 |
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Take 19 |
(M) |
2:11 |
(2:00) |
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Close Up 1°° |
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2004 |
April 30 (Tue.): 14:45 - 18:10 |
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Take 01 |
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Take 02 |
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Take 03 |
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Take 04 |
FS |
0:37 |
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Today, Tomorrow and Forever |
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Take 05 |
PB |
2:15 |
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Today, Tomorrow and Forever |
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Take 06 |
PB |
2:41 |
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Flashback°° |
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Take 07 |
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Take 08 |
PB |
2:08 |
Used for spliced MGM movie master. |
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UN |
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Take 09 |
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Take 10 |
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Take 11 |
PB |
2:09 |
(2:01) |
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TV Guide 2005°° |
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Take 12 |
PB |
2:02 |
Used for spliced MGM movie master. |
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UN+"Essential 1" (dialogue before spliced master) |
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Take 13 |
PB |
: |
"N.G." |
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UN |
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Take 14 |
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Take 15 |
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Take 16 |
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Take 17 |
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Take 18 |
PB |
2:09 |
"N.G." Used for spliced MGM movie master. |
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Jailhouse Rock Sessions LP+"tape" |
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Take 19 |
PB |
2:11 |
Original MGM time note: "2:00" |
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Jailhouse Rock Sessions LP+"tape" |
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Take 20 |
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Take 21 |
FS |
1:04 |
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Close Up 1°° |
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Take 22 |
M |
2:23 |
(2:02) Record version. "2:02" |
H2WB 6777 |
Close Up 1°°(incl. dialogue)/Jailhouse Rock '97/50's Box 3 |
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Spliced |
M |
2:20 |
Movie end version. Spliced from takes 8, 12, 18 & 22 |
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Essential 1(with studio talk from take 12) |
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2005 |
April 30 (Tue.): 14:45 - 18:10 |
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Take 01 |
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Take 02 |
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Take 03 |
M |
1:33 |
(1:11) |
WPA5 2507 |
Close Up 1°°(incl. dialogue)/Jailhouse Rock '97/50's Box 5 |
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2006 |
April 30 (Tue.): 14:45 - 18:10 |
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Take 01 |
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Take 02 |
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Take 03 |
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Take 04 |
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Take 05 |
PB |
: |
"N.G." |
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UN |
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Take 06 |
PB |
0:58 |
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UN |
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Take 07 |
M |
1:04 |
(0:59) |
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Close Up 1°°/Soundtrack |
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Musicians: |
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Guitar : |
Scotty Moore -except on Young and Beautiful (solo version) |
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Guitar : |
Elvis Presley |
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Bass : |
Bill Black -except on Young and Beautiful and Young and Beautiful (solo version) |
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Drums : |
D.J. Fontana -except on Young and Beautiful (solo version) |
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Piano : |
Dudley Brooks -except on Young and Beautiful (solo version) |
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Backup Vocals : |
The Jordanaires: Gordon Stoker, Hoyt Hawkins, Neal Matthews and Hugh Jarrett |
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-except on Young and Beautiful (Florita Club version) and Young and Beautiful (solo version) |
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The master is spliced from 2001-take 6 & 2002(pickup)-take 2. Likely splice point can be identified at 1:15, which is in contradiction with the original MGM time note of 2001-6 (0:55, see original MGM document reprinted in Tunzi's 'Sessions', page 322 or Elvis 'Sessions II', page 384). Corresponding RCA tape legend lists the master as 2001-take 6 only (see 'Reconsider Baby', page 60), but the same RCA log lists the movie version of Young and Beautiful as take 18, with a separate note explaining that it is a spliced version. |
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At least 9 complete takes were recorded, of which 7 have been released by 2005. |
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Take 18: Released on the Laurel LP 'Jailhouse Rock Sessions' (track 8) and in poor quality on PEJRCD149 (track 20). Identified by the responding piano after the first "and I love you so". Sleeve notes on Laurel LP say that this is the spliced version, but this is not true. |
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Take 19: A version similar to the record master ("dodo-dodo"-chorus) but with Elvis singing "kiss me tenderly" instead of "never set me free" on the second bridge. It can be found on the 'Jailhouse Rock Sessions' LP (track 3). |
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Take 22: The RCA record master with "dodo-dodo"-chorus and one bad piano note near the end. |
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Spliced MGM movie master: This was released
on 'Essential 1' with dry (MGM) vocals and is announced as
take 12, but the announcement must have survived the
splicing process. With timing referring to music only of the
movie version as released on Essential 1, it is spliced like
this: |
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Thanks to Henk Muller. |